Presentación
A decade of inquiry search
Universidad Nacional de Córdoba
This work is licensed under Creative Commons Attribution-NonCommercial-NoDerivs 3.0 International.
In the so-called post-truth era, two components of the current state of the political economy of morality have become evident: a) the consecration of the separation between cognition and values and b) the distance between facts and sensations. The internationalization of emotionalization can be verified through the global consolidation of normalized societies configured by immediate enjoyment through consumption. Predatory and repressive capitalism has initiated a new phase of its planetary metamorphosis by sacralizing the logic of waste, the banalization of the good and the politics of perversion as structural elements of the meeting between the political economy of morality and the political economy of truth. (Scribano 2015, 2017 and 2018)
In this context RELACES, which is the result of a voluntary and collective effort, pursued without funding, this month celebrates its 10-year anniversary, having followed a cognitive-affective mandate to constitute a critical space for academic and scientific research into bodies and emotions.
This mission is addressed in the presentation of the first issue of RELACES:
“Placing the body as a political issue means understanding it as the basis for the exercise of power, but also recognizing that it does not exist as an autonomous entity. Every exercise that attempts to understand what is being said when naming the body involves pointing out the anthropological conditions under which this phenomenon can exist and be nominated. This means a task of clarifying the horizon of meaning that makes its existence possible and valid for its study. Our body hears, feels, smells, likes and sees what is socially constructed as a “felt world.” At least, from our childhood to our adulthood those feelings are the first knot of a complex skein that constitutes our sensibility. The impressions that we receive and shape our perceptions of the world, that which seems to us strong, weak, ugly, beautiful, good, bad, etc., are made flesh and blood, making what we see, hear, touch, taste and smell seem natural. The body is thus configured as a fact especially suitable for the exercise of power that responds to specific interests, needs and conditions that must be understood in these scenarios.
Likewise, the criticism of the status of what one feels, must be felt and felt, as one of the multiple bands of the Mobesian torsions of a life lived “as it is”, constitutes a starting point for the des- configuration,,,. The “realism” of what we feel is the pivot from which we understand, at least primarily, the forms of metamorphosis of the expropriation of bodily energies to establish antagonisms. In this way, a kind of political economy of sensations is imposed, where the maps that tie conflict networks, their spatialities, the bodies and feelings that the commercialization of life as the first link in domination are drawn.” (Editorial Team 2009: 4)
Successive calls to reflect and write within this broad intellectual framework were successful, and we were joined by hundreds of people who were motivated by the idea that investigating bodies/ emotions was a modality of inquiry of the social and a privileged platform to observe the structures of domination in a context of epistemic and ideological plurality.
Within the framework of that “founding spirit” on Wednesday, July 1, 2009 in the blog “bodiesyemociones2009.blogspot.com” there appeared the call to submit summaries to the XXVII Congress of the Latin American Association of Sociology ALAS, stating that:
“One of the objectives of the Working Group is to enable the academic discussion about the political sense and control of the social ways of understanding, presenting and expressing emotions and bodies in Latin America, as well as their scope in the configuration of personal and social experiences. Another objective is to facilitate the construction of an international, multidisciplinary and pluralist working group that is committed to coordinating efforts to highlight the importance of the sociology of emotions and bodies in our local contexts, as a contribution to a Latin America that is fair and more autonomous. In 2007, in the framework of the activities of the XXVI Congress of the Latin American Association of Sociology that took place between August 13 and 18 in the City of Guadalajara, Mexico, we met for the first time as a Working Group. Since those days several of us have built a space of institutionalization for this subject that did not exist in Latin American Sociology. This was complemented by some publications and meetings involving several of us, as well as the execution of graduate and post-graduate activities that have strengthened the idea of a Latin American Network of Social Studies on Emotions and Bodies”1.
Going forward to RELACES (which we had already designed) that call invited scholars (on what would later be one of the central axes of the magazine) to understand that discussing the situation of the bodies/emotions is ultimately a political practice of enormous importance in the current planetary situation. That is why we have been insisting for some time that all sociology of bodies and emotions must contemplate, according to our approach in this regard: 1) provide an answer on what are the relationships between sensations and bodies,
2) establish the character of the natural/built realities that entail emotional “phenomena”, 3) enable the analysis of the connections between bodies, emotions and structuring of society, and 4) indicate, at least preliminary, what are the results of the aforementioned connections in terms of identifying the “prevalent” emotions in a given society.
In this issue we continue the same line of inquiry and we are glad that this 31st issue, appearing after 10 years, represents on the one hand the permanence of what gave rise to RELACES, and on the other the new horizons for the development of networks and dialogues.
Seven articles and two reviews make up the present RELACES anniversary issue. The first article is by Fred Evans (United Nation) “Mind Cosmopolitan: nuances in Beck’s” Cosmopolitan Manifesto.” In this paper, the author dialogues with Ulrich Beck, in regards his line of inquiry about the possibility of forming a cosmopolitan democracy. The global risks to which societies are currently exposed, coupled with the awareness of solidarity and the appropriate institutions, can have an impact on the real possibilities for the creation of cosmopolitan democracy. However, Evans argues for a political ontology that justifies the global dialogue between heterogeneous societies and subaltern groups.
The second contribution is from Mauro Koury (Brazil) “Social exclusion, Citizenship, and Clientelism: or authoritative thinking not Brazil.” The author addresses the social imaginary of citizenship in Brazil with the objective of reflecting on the basis of social exclusion. The paper emphasizes the political element, particularly the political rights that interact with the construction of the idea of citizenship, which allow us to account for some aspects of Brazil’s political life today.
Angélica De Sena (Argentina), offers a paper entitled “Households receiving social programs and emotions of the Municipality of La Matanza”. The author presents in this paper a series of results from an inquiry carried out in the La Matanza area (a province of Buenos Aires, Argentina). The experience of households receiving social policies enables us to investigate the modes of social intervention by the State that occur in this context, together with the emotions linked to this series of social policies. In this sense, the intersection between social policies and emotions allows us to notice the “emotional issue” contained in social interventions. For the modes of social intervention of the State, enable a pedagogy of feeling, serving as a social support mechanism for the structural conditions of inequality.
The fourth of the writings is by María Emilia Tijoux (Chile), entitled “When the race is only a fiction. Keys to understanding the control policies and stigmatization of the body migrant”. Tijoux conducts an analysis of the public policies implemented by the State, which in the problems they claim to address equate migration issues with those related to security. Public policies participate in the processes of defining the issues addressed, thereby building, reproducing and instituting certain images of the world that operate as assumptions about the reality that is intended to be addressed. The author’s analysis allows us to notice the ways in which the prejudices inscribed in the public policies analyzed criminalize the migrant population, naturalize a discourse permeated by xenophobia and display racial segregation practices.
The fifth article of this issue is authored by Carolina Ferrante (Argentina), “The Sport of the Deaf: combat their misunderstanding. A space of play and struggle for recognition”. The Sport of the Deaf organized in the Sordolimpíadas is analyzed in this article to give an account of the meanings constructed by this organization that has spread worldwide, giving rise to recreational and competitive encounters. From this study, and the way in which the author offers an overview of her research, those ways in which the demands of Deaf communities are addressed, channeled and problematized can be understood, giving rise to processes of visibility and invisibility. The proposed historical and sociological approach enables this paper to offer a committed, serious and critical analysis of those denied meaning.
Verònica Gisbert-Gracia (Spain) and Joaquim Rius-Ulldemolins (Spain) offer the sixth article, entitled “Festive ritual, emotional monopoly and social domination. Analysis of the case of the failures”. The paper addresses a festive ritual as an element that allows a problematization of the dynamics of domination that are generated there. In this sense, holiday rituals are addressed in this paper not as a way of generating consensus, but as a mechanism of social domination. The article broadens those perspectives that overestimate the subversive nature of holiday rituals, on the contrary holding that these spaces produce a certain restricted vision of national identity and emotional energy by a group that has sustained its domination since the middle of the 20th century.
The last article is proposed by Jia Chao (China), entitled “Speech and emotions of the Revolution in Communist China”. For the author, emotion was a resource mobilized by organizational and discursive technology in the Chinese Communist Revolution. The article offers an analysis of the emotional discourse of the revolution, identifying the relationship between emotions, discourse and power. The author’s analytical proposal allows us to account for emotional mobilization, as motivation of people who, not being challenged only by rational calculation, imply sympathy, indignation and dignity among other emotional factors that become significant.
The issue closes with two reviews, the first one by Fábio Lopes Alves and Tania Maria Rechia Schroeder (Brazil), discussing M. Goldenberg’s book Why do homens prefer mulheres mais velhas? (2017); the second review is provided by Pedro Robertt and Julio Marinho Ferreira (Brazil), and examines Adrian Scribano and Pedro Lisdero’s book, Digital Labour, Society and the Politics of Sensibilities (2019).
I propose concluding the issue by reproducing a sketch of a future agenda that I have offered in part in other publications (and, indeed, in this one), but that I consider pertinent to do here more generally (Scribano 2019, 2017 and 2016).
The proposal is divided into four types of vignettes: diagnosis, questions, challenges and rejections, affirming with the presentation style its preliminary character and its intent as an invitation to dialogue.
From a theoretical perspective, analyzing emerging problems implies activating epistemological surveillance processes that make it possible to identify and deconstruct the epistemological obstacles that these problems involve. Some of them, in the case of studies on bodies and emotions (B/E), are:
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• In the last 20 years, a critical review of the theoretical, methodological, epistemological and political status of studies on bodies and emotions has been carried out.
• The connections between the processes of social structuring, social sensitivities and the stories made body are evident.
• The possible connections between corporalities, creativities and expressivities become a central issue academically and socially.
• The porous and indeterminate plot, sensation and action chart demands a Latin American viewpoint that can redefine its theoretical and empirical uses.
• The “insumisas” practices of gender, ethnicity, age and class that go through the visions and divisions about the past, present and future of the region are being and must be investigated from a perspective of the bodies/emotions.
• Historically there are connections (studied and to be studied) between the emergence of Nation States, the forms of citizenship, and the social ways of making the rules, norms and laws a body.
• The “subaltern sectors” are subject to policies of the bodies associated with Eurocentric reason that demand an inquiry from the margins and decolonization.
• Social sensitivities are the result of social interactions that raise ways of appreciating and valuing the joys and fears, potentials and occlusions of the subjects.
From the above, it is easy to notice that the studies on B/E in Latin America imply the need to recover the throat itself to create their own voices. In the same sense, questions, challenges and rejections emerge from the research practices we are analyzing.
Science in general, and social sciences in particular, have the task of asking increasingly risky questions to serve as a battering ram against the gates of conformity, naturalization and sacralization of the world. Here we want to rehearse a few questions that we believe will populate the studies on B / E:
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• What are the consequences of the massification of medical-psychiatric colonization processes of bodies/emotions through the intake, application and/or consumption of micro and nano substances? This entails thinking from the effects of endocrine disruptors, through the results of multiple contamination, to the consequences of the consumption of psychoactive drugs.
• What are the epigenetic effects of the intergenerational processes of unequal distribution of nutrients in contexts of mass state assistance for food? This necessitates an inquiry about the verifiable distance between providing food to millions of people without reaching minimum standards of adequate nutrition (including cognitive-affective dimensions).
• What will be the results of the structural registration of mimetic consumption and compensatory consumption as social organizers tending to replace work/production as such? It demands an observation of the increasing centrality of normalization forms in immediate enjoyment in and through consumption.
Another of the features of science throughout its history, and particularly in the 21st century, is to identify and focus on processes that cause “new” and “different” ways of doing/thinking, processes that redefine their own practices:
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• Redefine and redesign the tools/instruments of the social research process around the bodies/ emotions accepting the final completion of the empiricist aporia (quantitative/qualitative, objective/ subjective).
• Value in the inquiry processes the attitude of listening and the capture of creativity/expressiveness as adequate and necessary vehicles to understand the states of bodies/emotions.
• Reappraising the weight and influence of the material conditions of existence as one of the central axes of the production, circulation, management and reproduction of bodies/emotions.
The resistance to dogmatism, to commodification, to inhuman use, and to manipulation of knowledge, is another feature of science as critical knowledge about the real and the field of studies on B/E is no exception:
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• Persist in the immanent criticism of the (unnoticed) massification of the bureaucratic-medical- hyper-psychologized view from which the autonomy of millions of “assisted” subjects is infantilized and sealed, said condition being their “only means of participation/inclusion” in the system.
• Indicate the massification of the processes of sacrificiality, spectacularization and seduction as the privileged channels for the reproduction of inaction and scrapping of collective action.
• Point out the local and global mechanisms for capturing intellectuals, academics and scientists as one of the central axes that, by action or omission, contribute to the “forgetting” and “marginalization” of various problems of the bodies/emotions by suturing and/or sealing the processes of domination.
This reproduction of the puzzle that represents this diagnosis, questions, answers and challenges must be complemented with a political epistemic outlook that stresses the structural with the current/present, and from that platform it is important to point out:
It is urgent to think/rethink the proximity/ distance modes between sorority, fraternity and humanity from the perspective of social studies on B/E.
It is a priority to deepen efforts to investigate the current transformations of capitalism on a planetary scale in light of the redefinitions of what is understood by the sentient and non-human person in a post-specist frame.
Have to open new ways to think the place of the B/E in the constitution of society as a contribution to the dialogue on virtues, values, emotions and knowledge.
Like any discipline of the social sciences, the social studies of bodies and emotions will be critical (even a coagulated criticism) or they will be nothing.
It is impossible to finish this presentation without thanking the enormous number of people who during these years have contributed their best efforts to making RELACES. We include in the end a list (perhaps with some involuntary omission) of all those who, in one way or another, have made and make this project possible. THANK YOU
We thank those who shared their works in these years making RELACES possible: Andrea Dettano, Aldana Boragnio, Rebeca Cena, Adela Miranda Madrid, Abel Rodríguez López, Adriana Causa, Adriana Fuentes Ponce, Adriana García Andrade, Adriana García Andrade y Roberta Priscila Cedillo, Adriana Goni Godoy, Adriana Mabel Prieto, Adriana Marcela Pérez Rodríguez, Adriane Vieira Ferrarini, Alejandra Aguilar Ros, Alejandra Amalia Ferrari, Alejandra Carreño Calderón, Alejandra Melo Amaya, Alejandra Mizrahi, Alejandro Damián Rodríguez, Alejandro Gasel, Alejandro Marcelo Gau de Mello, Alejandro Pulgarin Rocha, Alex Sandrelanio dos Santos Pereira, Alexander Sasho Lambevski, Alexander Shkurko, Alexandre Zarias, Alexis Patricio Sossa Rojas, Alfonso Nicolás Venturelli, Ali Lara, Alicia Lindón, Alina Mazzaferro, Allana Salinet, Almudena Garcia, Álvaro Reyes Toxqui, Amanda Domingues, Amanda Rutllant da Cunha, Amaranta Cornejo Hernandez, América Larraín, Amurabi Oliveira, Amurabi Oliveira , Ana Candil, Ana Carolina Ferreiro Habra, Ana Carolina Galvez Comandini, Ana Cervio, Ana Clara Camarotti, Ana Constanza Rodríguez Álvarez, Ana González Vañek, Ana Graciela Levstein, Ana Graciela Levstein y María Laura Pellizzari, Ana Josefina Cuevas Hernández, Ana Julia Aréchaga, Ana Laura Candil, Ana Laura Suarez, Ana Leticia Fitte, Ana Lia Machado, Ana Lilia Salazar Zarco, Ana Lúcia Castro, Ana Lucía Cervio, Ana Lucía Hassel, Ana Luisa Fayet Sallas, Ana M. González Ramos, Ana María Gonzalez Ramos, Ana Maria López Narbona, Ana María Perez Rubio; Ana Rodríguez Granell, Anaclara Mona, Anahí Farji Neer, André Leonardo Copetti Santos, Andrea Carolina Urrutia Gómez, Andrea García Hernández, Andrea Jensen Vallejos, Andrea Soledad González Vera, Andrea Verónica Pérez, Andrés Guzmán Sala, Andressa dos Santos Alves, Angel De Jesus Hernández González, Angela Marcela Aisenstein, Angela Maria Jimenez Urrego, Angélica De Sena, Anna Fernández Poncela, Anne Sophie Marie Frederique Gosselin, Antonio Luiz Silva, Araira Marín, Areli Veloz, Armando Jose Alvarez Lugo, Armando Ulises Cerón Martínez, Arnaud Halloy, Aurelio Gómez Fernández, Ayder Berrío Puerta, Baraka Baraka Vlad, Bárbara Nascimento Duarte, Begonya Enguix Grau, Belen Espoz, Bernard Andrieu, Bernardo Guerrero Jiménez, Berta García Faet, Booth Bugge, Boragnio Aldana, Brenda Araceli Bustos García, Brenda Hidalgo Colla, Bru Gabriela, Bryan Elam, Camilo Andres Ramírez, Candelaria García Campos, Carina Alejandra Cassanello, Carina Gonzalez, Carlos A. Gadea, Carlos Alberto Argañaraz, Carlos Alfredo Marin, Carlos Alfredo Marín, Carlos Arturo Ospina-cruz, Carlos Bueno, Carlos Eduardo Sanabria Bohórquez, Carlos Figari, Carlos Gadea, Carlos Geovanni Varela Vega, Carlos Ospina Cruz, Carmen Castañeda, Carolina Amieva, Carolina Castellitti, Carolina Cortés, Carolina Emilia Di Próspero, Catalina Alexa Mendoza Riquelme, Catalina María Ospina Mesa, Catalina María Tabares Ochoa, Catón Eduardo Carini, Ceciclia Canevari, Cecilia Alejandra Castro, Cecilia Beatriz Soria, Cecilia Martínez,Cecilia Mercedes Quevedo, Cecilia Musicco, Celeste Tritten, Celso Gabatz, Celso Vianna Bezerra de Menezes, César Omar Velázquez Vega, César Pablo San Emeterio, Chiara Piazzesi, Christian Amaury Ascensio Martínez, Ciria Margarita Salazar C., Cirus Rinaldi, Claire Terezinha Lazzaretti, Claudia Andrea Arellano Hermosilla, Claudia Anzorena, Claudia Carolina Cuarenta Berumen, Claudia Cruzat Mandich, Claudia Gabriela Reta, Claudia Gandía, Claudia Mallarino Florez, Claudia Mercedes Jimenez Garces, Claudia Patricia Gallo Espinosa, Claudia Ulloa Espinoza, Claudio Alberto Mestre, Claudio Eduardo Figueroa Grenett, Claudio Martyniuk, Clément Colin, Constanza Sepúlveda Gómez, Cristian Bustamante Vasquez, Cristian Paiva Cristian, Cristiane Fernanda Xavier, Dalila Heras Benavides, Daniel Àngel Etcheverry, Daniel Martin Rubio, Daniela Leyton Legües, Daniela Losiggio, Danilo Martuccelli, Dario Berrio Gil, Dario Hernán Arevalos, David Howes, David Le Breton, De Sousa Nogeira, Débora Souto Allemand, Delia Rodríguez, Denhi Rosas Zarate, Denise Osswald, , Di Filippo Marilé, Diago Quattrini, Diana Carolina Tibana Rios, Diego Benegas Loyo, Diego Berenstein, Diego Galante, Diego Mattos Vazualdo, Djaine Damiati, Dora Barrancos, Douglas J. Davies, Ederson Luís Silveira, Edgar Carlos Jarillo Soto, Edgar Ulises Osorio, Edith Flores Pérez, Edith Perla Colman, Ednaldo Antonio Silva, Edoardo Balletta, Eduardo Francisco kingman, Eduardo Galak, Eduardo Mattio, Eduardo Sousa- González, Eliana Nunes Ribeiro, Elisa Herrera Altamirano, Elisabetta Della Corte, Elizabeth Sánchez Garay, Elizabeth Vejarano Soto, Elkin Orlando González Ulloa, Eloy Maya Pérez, Elsa Blair Trujillo, Emiliano Exposto, Emilio José Seveso Zanin, Enrique Hernández García Rebollo, Enrique Pastor Seller, Erika Saccucci, Esteban Di Paola, Estefany Evelin Castillo Ravanal, Estela Teresita Soto De Anquín, Estibaliz De Miguel Calvo, Eugeni Tarzibachi, Eugenia Boito, Eugenia Fraga, Eugenio Castaño González, Eva María Jiménez Andújar, Fabiana Gama Pereira, Fabiana Norma Montenegro, Fábio Lopes Alves, Facundo Nahuel Fernandez, Federico Díaz Llorente, Federico Fernandez, Federico Medina, Felipe De Alba Murrieta, Felipe Hernán Tello Navarro, Felipe Rivas, Félix Alejandro Baptista, Fernanda Díaz Castrillón, Fernanda Ribeiro Amaro, Fernando de Jesus Rodrigues, Ferreyra Miguel , Fidel Molina-Luque, Fitzpatrick Potts, Flabián Nievas, Flávia Cristina Soares, Flavio Augusto Salgado, Florencia Chahbenderian, Florencia Margaria, Florencia Pena Saint Martin, Francisco Di Leo, Francisco Falconier, Francisco Guzmán Castillo, Francisco Jander De Sousa Nogueira, Francisco Javier Cortazar Rodríguez, Francisco Ramallo, Freddy Alex Timmermann López, Frederick Evans , Gabriel Armando Cachorro, Gabriel Cachorro, Gabriel Emanuel Campos, Gabriel Giannone, Gabriel Luis Bourdin, Gabriel Tolosa Chacón, Gabriela Reta, Gabriela Rubilar, Gabriela Silvina Bru, Gabriela Vergara, Gemma Maltese, Genovena Echeverría, Geoffrey Skoll, Geovani Cruz Vázquez, Gerardo - Larreta, Gerardo Ariel Del Vigo, Gerardo Avalle, Gerardo Hernan Jimenez Lopez, Gilberto Rodriguez Garcia, Gilma Ríos, Graciela Magallanes, Graciela Manjarrez Cuéllar, Graciela María Enria, Gregorio Quispe Cuzcano, Grisel Arveláez, Guillermina Domìnguez Hernández, Gustavo Adolfo Enríquez, Gustavo Adrián Papili, Gustavo Alejandro Blázquez, Gustavo Andrada Bandeira, Gustavo Aviña Cerecer, Hander Andrés Henao, Head Juarez, Héctor Camilo Sánchez Beltrán, Hélios Puig, Horacio Machado Aráoz, Horacio Miguel Hernán Zapata, Hugo César Moreno Hernández, Hugo Ernesto Perdomo Colina, Hugo Nicolás Sir Retamales, Iara Maria de Almeida Souza, Ibis Sepúlveda González, Ignacio Pellón, Ileana Wenetz, Inés Montarcé, Ipek Celik Rappas, Irantzu Fernandez Rodriguez, , Ivan Rodrigo Pincheira Torres, Ivana Analía Fernández López, Ivana María Alochis, Ivonne Espitia Montenegro, Ivy Jacaranda Jasso Martinez, Flavio Ferreira, Jacqueline Michaux, Jaime Alberto Méndez Castillo, Jaime Fernando Yeng Abad, Jainara Gomes de Oliveira, Jair Eduardo Restrepo Pine, Javier Schargorodsky, Javiera Lecaros Bravo, Jeanne Yvanova Duarte Mora, Jeimy Castro Cala, Jenny Marcela Ponton Cevallos, Jens Eder , Jesica Alexia Macario Sánchez, Jesid Díaz Sastre, Jessica Reyes Sánchez, Jesús Christian Bustos García, Jesús Ernesto Urbina Cárdenas, Jhonatan Gonzalez Santamaría, Jimena Valdés Figueroa, Joanildo Burity, Joaquin Chervero, Johanna Lozoya, Jonas Anderson Simões das Neves, Jonatas Ferreira , Jordi Planella Ribera, Jordy Micheli Thirión, Jorge Ahumada, Jorge Escobar, Jorge Ricardo Saraví, José Carlos Vázquez Parra,Jose Cruz Jorge Cortés Carreño, José Domingo Carrillo Padilla, José Ignacio Allevi, José Luis Esparza Espericueta, José Luis Grosso, José Manuel Barreto , José Miguel Rasia, José Morales González, José Yuni, Josefina Leonor Brown, Josefina Ramírez Velázquez, Josep Marti Perez, Juan Camilo Parra Lombana, Juan Carlos Escobar, Juan Carlos Quintero Velásquez, Juan Carlos Ramírez Rodríguez. Juan José Galindo Chávez, Juan Pablo Duhalde, Juan Pablo Matta, Juan Pablo Robledo, Juana Martin Ceron, Julia Bertone, Julia Micaela Vargas Montero, Julián Aguirre, Julian Ortega, Julian Zícari, Juliana Gonzaga Jayme, Juliana Huergo, Juliana Meduri, Juliana Ribeiro Pinto Bravo, Julieta Armella, Karina Mariel Mauro, Karla Alejandra Contreras Tinoco, Karla Ivonne Mijangos Fuentes, Kátia Dos Anjos, Katina De Los Angeles Urdaneta, Katrina Salguero Myers, Kelly Maria Gomes Menezes y Maria Helena de Paula Frota, Kjeldgaard Glud, Latif Antonia Cassab, Laura Echavarría Canto, Laura Gioscia Villar, Laura Zambrini, Laurem Souza Talhaferro Marques, Leandro Drivet, Leila Martina Passerino, Lellanis Arroyo Rojas, , Leonardo Fernández, Leonardo Gabriel Soto Toloza, Leticia Huerta Benze, Lia Carla De Ieso, Lígia Dabul, Liliana Ibeth Castañeda Rentería, Lina Seeler, Lisdero Pedro, Liuba Kogan, Loïc Wacquant , Lorena Denisse Etcheberry Rojas, Lorena Villalobos Martinez, Lorenzo Bruni, Lourdes Maria Poujol, Luc Delannoy, Lucas Aimar, Lucía Benítez Eyzaguirre, Lucía Billoud, Lucía Coppa, Lucía Mabel Fretes, Lucia Mantilla, Luciana Alvarez, Luciana Martinez Albanesi, Luciana Micaela Ramos, Lucrecia Raquel Greco, Luis Alberto Herrera Montero, Luis Campos Medina, Luis Felipe Ojeda Oyarzún, Luis Herrera Montero, Luisa Consuelo Soler, Luisa María, Salazar Acosta, Luiz Gustavo Correia, Luiz Gustavo P.S. Correia, Luiz Gustavo Pereira de Souza Correia, Luz Elena Gallo Cadavid, Luz Helena Di Giorgi, Ma. Raquel Carvajal Silva, Macarena Fernández, Macarena Roldán, Macarena Soledad González Franzani, Magali Velasco Vargas, Magdalena Águeda Arnao Bergero, Maia Wasserman, Manuella Paiva Holanda, Marcelo Córdoba, Marcelo Loaiza, Marcos Araújo, Marcos Bote, Margarita Camarena Luhrs, Maria Alejandra Marin Aranda, María Alfonsina Angelino, María Bajo Gutiérrez, Maria Beatriz Pacca, María Belén Espoz, María Cecilia Díaz, María Cecilia Díaz, María Celeste Bianciotti, María Celeste Juárez, María Celeste Viedma, Maria Clara Ruiz, Maria Clara Teresa Fernandes Silveira, Maria Cristina Di Silvestre Paradizo, Maria Cristina Giorgi, Maria Cristina Rocha Barreto, Maria Daniela Brollo, Maria del Carmen Castañeda, María del Pilar Gómez González, María del Pilar Gomiz Pascual, María del Rocío Deliyore Vega, Maria Del Rocio Echeverria, María del Rosario Orozoc, Maria Emilia Napolitano, María Emilia Napolitano, María Epele, María Esther Vega Ocampo, María Eugenia Boito, María Flavia Del Rosso, Maria Florencia Lopez, María Gabriela Lopez Yanez, Maria Glaucíria Mota Brasil, Maria Ines Games Rodriguez Arias, Maria Inês Rauter Mancuso, Maria Inés Silenzi, María Jimena Mantilla, María José Clunes, María Josefina Fornaro Bordolli, María Julia Bonetto, María Laura Bergel Sanchís, María Laura Schaufler Lang, María Luisa Güido Williamson, Maria Luisa Jimenez Jimenez, María Luz Roa, María Macarena Saenz Valenzuela, Maria Magdalena Gonzalez Almada, Maria Magdalena Pinto, María Milagros Molina Guiñazú, María Nemesia Hijós, Maria Noel Miguez Passada, María Paula Zanini, María Paulina Soto Labbé, María Popkovacheva- Terzieva, Maria Rita Martinez Galvis, María Sol Erramusoe, Maria Soledad Fernandez, María Soledad Varea, María Susana Harringhton, María Tabares Ochoa, Maria Teresa Medina Vite, María Teresa Trachitte, María Valeria Emiliozzi, María Vergara Aibar, María Victoria Martínez Espínola, María Victoria Sordini, Mariana Becerra, Mariana Isabel Lorenzetti, Mariana Lucía Saez, Mariana Nobile, Mariana Palumbo, Mariano Fernández Méndez, Mariano Saulig, Mariela Carolina Juárez Ruiz, Mariflor Aguilar, Mariflor Aguilar Rivero, Marilé Di Filippo, Marina Karina Benito, Marina Yolanda Mansilla, Marinelly Diaz Lira, Mario Millones Espinosa, Mario Ociel Moya Moya, Mario Toboso Martín, Marta Rizo García, Marta Ruth Faur, Martín Aranguren, Martin Eynard, Martina Miravalles, Mateus Luan Dellarmelin, Matias Alfredo Dreizik, Matías Artese, Matías Javier Romani, Mauro Greco, Mauro Guilherme Abeto Koury, Maximiliano Korstanje, Maximiliano Marentes, Mckenzie Bland, Megan Rivers Moore, Melina Amao Ceniceros, Melina Perbellini, Mercedes Liska, Mercedes Rojas Machado, Michael Humphrey, Micheline Dayse Gomes Batista, Miguel A. V. Ferreira, Miguel Angel Sanchez-Valdez, Miguel Angel Sepúlveda Salazar, Miguel Canaza, Miguel Ferreyra, Miguel Jesus Hernandez Madrid, Miguel Lisbona Guillen, Mina Lorena Navarro Trujillo, Oliver Gabriel Hernández Lara, Mira Moshe, Miriam Lucero, Moira Cristiá, Mónica Gabriela Moreno Figueroa, Mônica Kaseker, Monserrat García Jiménez, Morella del Carmen Alvarado Miquilena, Nadia Marlene Rosas Chávez Naím Garnica Nairbis Sibrian Nashyeli Figueroa Galvan Natalia Andrea Lozano Forero Natalia Gelfman Natalia Magnone Alemán Natalia Noemí Vives Natalia vera Calderón Natalia Virginia Menghini Natasha Abarca Pérez Nathaly Rousse Vera Gajardo Nayelhi Itandehui Saavedra Solano Nayla Luz Vadarezza Nicolás Araya Figueroa Nicolas Bermudez Nicolás Coelho Nicolas Eduardo Cabrera Nicolas Morales Saez Nicolás Patierno Noelia García Nohelia Mirna Dávila Morales Oleski Jose Miranda Navarro Olga Alejandra Sabido Ramos Olga Angélica Vásquez Palma Oliva Lopez Sanchez Olivia Andrea Tapia Zúñiga Olivia Nogueira Hirsch Osmundo de Araújo Pinho Pablo Alabarces Pablo Esteban Tanús Pablo Schencman Pablo Zuleta Pastor Paloma Coelho Juliana Gonzaga Jayme Paola Andrea Gaviria Paola Margarita Chaparro Medina Patricia Alejandra Collado Patricia Collado Patricia Jurado Patricia López Patricia Medina Patricio Manuel Ríos Segovia Patrick Cingolani Paula Biglieri Paula Mara Danel Paula Pochintesta Paula Rosa Paula Vera Paulina Soto Labbé Paulo Henrique Martins Paulo Marcondes Ferreira Soares Pedro Alcala Pedro Lisdero Pedro Robertt Pedro Yagüe Pellón Ignacio Perla Vanessa De los Santos, Pilar Carmona Poma Alice Rafael Andrés Sánchez Aguirre Rafael Losada Martins Raoni Borges Barbosa Raphael Bispo Rapha Raúl Eduardo Cabrera Amador Raúl Zamorano Farías Régia Cristina Oliveira Régia Oliveira Remo Mutzenberg Ricardo Laurenz Roberta de Sousa Mélo Roberta Priscila Cedillo Hernández Roberto Merino Roberto Garcés Marrero Roberto Suárez Rocio Lencina Rocío Martín Rodolfo Puglisi Rogelio Luna Zamora Rogério José de Almeida Romina Ayelén Fariña Romina Del Mónaco Romulo Oliveira Tondo Rosa Dámaris Marín Sandova Rosa Torres Marieze Rosalía López Fernández Rosângela Angelin Roseni Pinheiro Roxana Mirta Azcurra Sabrina Yañez Salguero Myers Salvador Salazar Gutiérrez Sandra Alicia Collado Sandra Emma Carmona Sandra Peña Alonso Santiago Battezzati Santiago Diaz Santiago Morcillo Sara Monzón Sarita Galvez Donoso Sasho Alexander Lambevski Sebastián Alberto Pacheco Muñoz Sebastián Gerardo Fuentes Sebastián Goinheix Costa Sharon Carolina Díaz Fernández Sheila Silva Lima Silvana Maria Bitencourt Silvia Lucía López Alvarado Simone Belli Sonia Mercedes Andrade Surya Mariana Salgado Susana Vargas Cervantes Talitha Couto Moreira Lara Tâmara Coimbra Tania Alexandra Sacoto Sánchez Tarsila Chiara Albino da Silva Santana Tatiana Mareto Silva Telma Ferreira Nascimento Durães Teresa Cristina Furtado Matos Terezinha Petrúcia Nóbrega Tommaso Gravante Tova Benski Túlio Cunha Rossi Valentina Iragola Cairoli Valeria Bula Valeria Levratto Vanesa Lorena Battaglino Vanessa Fernanda Forte Lopes Verónica García Martínez Verònica Gisbert Gisbert Gracia Veronika Barbara Sieglin Vicens Alba Osante Victoria Cubedo Pinazo Victoria D´hers Victoria Elizabeth Gálvez Méndez Victoria Sordini Walesson Gomes Silva Warren TenHouten Wenceslao Melgarejo Ramos Weslei Lopes Silva Wilian Andres Mauna William Héctor Gómez Soto Willy César Chávez Gonzales Wilson Lara Bernal Xanath Bautista Ximena Cabral Xochitl Garza Yoali Zaret Mancilla Anaya Yulia Shkurko Yuly Yireth Arenas Tangarife Yusmyra Olivo Zaffaroni Adriana; Zandra Pedraza Gomez Zhang Jingting Alejandro Rocchi Romina Baldo Ignacio Guggiari Lorena Vecchi Claudia Olivera Fernando Seveso Zanin Leon Ferrari Anahí Vénica Silvia Gattino Alejandro Frola María Laura Avendaño Daniel Pato Rotela Francisco Aceto Andrea Rivera María Eugenia “Coqui” Podestá Leonardo Surraco Analía Regue (Dinamita) Sofía Toribio Alejandra Arreguer Nicolás Schuck Fred Evans Mauro Koury, María Emilia Tijoux, Carolina Ferrante, Verònica Gisbert-Gracia, Joaquim Rius-Ulldemolins, Jia Chao, Fábio Lopes Alves, Tania Maria Rechia Schroeder, Pedro Robertt y Julio Marinho Ferreira.
