Manazir Journal

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Introduction

Nadia Radwan

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DOI: https://doi.org/10.36950/manazir.2019.1.1.Intro

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La participation de l’Égypte à la IIème Biennale de São Paulo(1953-1954) Une initiative individuelle, des enjeux nationaux

Nadine Atallah

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Abstract: This article introduces in detail the genesis of Egypt’s first participation in the São Paulo Biennial (1953-1954). The story begins with a spontaneous application from a Swiss painter settled in Egypt after having lived in Brazil: Irmgard Micaela Burchard Si

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DOI: https://doi.org/10.36950/manazir.2019.1.1.4

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The Museum as an Egalitarian Space? Women artists in Beirut’s Sursock Museum in the 1960s and 1970s

Nadia von Maltzahn

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Abstract: This article discusses the role of the Sursock Museum as a platform for the emancipation of women, and to what extent the Museum’s Salon d’Automne constituted an egalitarian space. Etel Adnan took part in two Salons, in 1964 and 1974. This paper will provide

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DOI: https://doi.org/10.36950/manazir.2019.1.1.5

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Etel Adnan — in Close Encounters with Paul Klee Review of the Etel Adnan Exhibition and Symposium Zentrum Paul Klee, Bern, September 27th – 28th 2018

Joan Grandjean

Mirl Redmann

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Abstract:

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DOI: https://doi.org/10.36950/manazir.2019.1.1.6

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“Painting in Arabic”: Etel Adnan and the Invention of a New Language

Silvia Naef

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Abstract: This article deals with Etel Adnan’s complex and original relation with the Arabic language, and with her concern for the situation of wars and destruction in the Arab world. It tries to analyze how, by “painting in Arabic,” Adnan not only finds a solution to

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DOI: https://doi.org/10.36950/manazir.2019.1.1.2

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The Political Basis of Abstraction in the 20th Century as Explored by a Painter

Samia Halaby

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Abstract: The political nature of abstraction presented from an artist’s point of view – one who considers the most advanced task is the exploration of the language of pictures. Such exploration is understood as a separate discipline from the many others that employ pi

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DOI: https://doi.org/10.36950/manazir.2019.1.1.7

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Etel Adnan Meets Paul Klee

Fabienne Eggelhöfer

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Abstract: In comparing the works of Etel Adnan and Paul Klee, their shared interest in the relationship between writing and images became clear. Etel Adnan’s great admiration for Klee’s art was an additional reason for holding an exhibition at the Zentrum Paul Klee in

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DOI: https://doi.org/10.36950/manazir.2019.1.1.1

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