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Abstract: On the occasion of the inauguration of the first gallery founded by artists in Tunis, the painters Moses Levy, Pierre Boucherle, Antonio Corpora and Jules Lellouche published in 1936 a manifesto affirming their autonomy, beyond mercantile logics and national
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Abstract: The paper focuses on the artistic work of Moses Levy (Tunis, 1885 - Viareggio, 1968), painter and printmaker active in Italy, Tunisia and Paris. A peculiar figure of cosmopolitan painter, whose father was British and the mother Italian, and whose art eludes a
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Abstract: My contribution focuses on the early years of the Salon des Humoristes held in Algiers in the 1920s. This event contributed to the development of caricature in Algeria in the wake of the First World War. Although it is difficult to trace the careers of all th
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Abstract: This article addresses the question of identity issues underpinned in the affirmation of an Algerian painting through the figure of Sauveur Galliéro (1914-1963). As a self-taught artist and leader of the "Generation of the Môle of Algiers," he was a major int
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Abstract: On the occasion of the inauguration of the first gallery founded by artists in Tunis, the painters Moses Levy, Pierre Boucherle, Antonio Corpora and Jules Lellouche published in 1936 a manifesto affirming their autonomy, beyond mercantile logics and national
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Abstract: Although the place of music in the French political imagination has recently been the subject of fruitful research, it remains a blind spot in the study of French cultural exchange. This can be explained by the non-verbal nature of musical events, or the rela
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