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Les fresques murales à Khartoum pendant la révolution soudanaise de décembre 2018. Généralisation et politisation d’un phénomène artistique
Yacine Khiar

Abstract: In Sudan, the revolution that began in December 2018 has led to many changes on the political, economic, ideological, and socio-cultural levels. One of the most visible changes is the explosion of street art in the capital. This article is based on a field su

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Produire l’art et accéder à la ville en contexte autoritaire. Fermeture et adaptation des possibles artistiques dans le centre-ville du Caire post-révolutionnaire
Laura Monfleur

Abstract: During the Egyptian revolution in 2011, artists used protest art in urban spaces, particularly in downtown Cairo. While art participated in creating publicized and politicized urban spaces, protest art has been threatened in downtown Cairo since 2013 with the

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Turning a City Inside-Out. On the Re-appropriation of Urban Space in Tunisia in Times of Revolt
Joachim Ben Yakoub

Abstract: The spatial dynamics were difficult to overlook during the 2011 movements of revolt in Tunisia, pushing the damned in the center of public attention in the concerted effort of turning prevailing authoritarian politics inside–out. Venturing in the spatial contest

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Street Art out of Time. The Cultural Moussem of Asilah and Other Entanglements of Public Space, Arts, and Politics
Sarah Dornhof

Abstract: The small town of Asilah in the north of Morocc o holds an annual int ernational festival of visual and performance arts, including exhibitions, w orkshops, conf erences, and other parallel activities. However, it is best known for the murals that are painte

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Mapping Art in the Industrial North Periphery of Beirut. The Case of Corniche el-Nahr
Sasha Moujaes

Abstract: Since 2005, the areas surrounding Nahr Beirut—the river that cuts through the northeastern border of Lebanon’s capital city—became subject to the development of “art worlds” (Becker). Specifically, the neighborhood of Corniche el-Nahr became host to art-relat

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La ville comme lieu d'exposition de sa mémoire
Rym Khene

Abstract: The popular movement that started on 22 February 2019 in Algiers, has become a key date of Algerian history but also for visual history. In a matter of weeks, Algiers became a place of unprecedented photographic expression which contributed to build the new v

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Carnet de voyage, Bagdad 2019. Les fresques de la révolte, une nouvelle figuration populaire
Caecilia Pieri

Abstract: This contribution is a commented portfolio of images gathered during fieldwork in Baghdad (February 2020). It aims to provide an overview of the murals which have been concentrated on Tahrir Square since the revolution of October 2019. These murals share some

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« Camp » dira-t-on, une cité improvisée
Lilia Benbelaïd

Abstract: What is the function of a temporary shelter when it becomes a permanent part of an environment? What is the architect’s role in an environment where inhabitants are tasked with the construction of their own shelters? These questions summarize the primary moti

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