Litinfinite

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Re-imagining Shakespeare as our Contemporary- Alternate Interpretations of Hamlet in the theatrical space: Traversing from Local to Global and vice versa; an attempt at dismantling the canon or perpetuating its transience?

Purbali Sengupta

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Abstract: The very act of articulating Shakespeare from a space in the Global South can trigger a maelstrom of contesting ideologies. There was always a mad scramble among academics to interpret and own the bard intimately. Undoubtedly, one of the aspects of British co

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DOI: https://doi.org/10.47365/litinfinite.3.1.2021.1-12

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Is There an Audience in the Lady’s Bedchamber? Shakespeare’s Dramatic Trope in the Sleep-Walking Scene in Macbeth

Manidip Chakraborty

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Abstract: In William Shakespeare‟s Macbeth, the famous Sleep-Walking scene of Lady Macbeth also includes two observers, the Waiting-Gentlewoman and the Doctor of Physic, who play multiple roles during this scene, as well as in the development of the Lady‟s character. I

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DOI: https://doi.org/10.47365/litinfinite.3.1.2021.13-21

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The Bifocality of Dance in Shakespeare’s Twelfth Night: An Analysis of Shakespearean Dance Adaptations

Kimberly M Glassman

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Abstract: Drawing on Lynsey McCulloch‟s notion of Shakespeare in dance and Shakespeare as dance, this paper explores the bifocality of Shakespeare and dance in Twelfth Night. In Illyria, a realm of fantasy, dance is a measure of dismantling, whilst maintaining, a cosmi

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DOI: https://doi.org/10.47365/litinfinite.3.1.2021.22-30

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Contemporising the Topos of Shakespearean Dramas: A Comparative (Re)Reading of Memory, Masculinity and Vengeance with special reference to William Shakespeare’s Tragedies and History Plays

Kar Rahul

Saha Sangeeta

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Abstract: This present paper anticipates several prevalent topos of Shakespearean plays especially in tragedies and history plays where both the authors endeavor to (re)vivify issues like virility, madness, retaliation and memory. The play Henry V epitomizes undaunted

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DOI: https://doi.org/10.47365/litinfinite.3.1.2021.31-38

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Biographical Criticism of Shakespeare in Bengal: A Close Study of S.C. Sengupta’s “Shakespeare the Man”

Samik Sen

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Abstract: The paper attempts to read S.C.Sengupta's essay Shakespeare the Man closely and critically and find out what ideological motivations have contributed to the construction of a biographical criticism of Shakespeare in Bengal. It has ventured to examine the conn

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DOI: https://doi.org/10.47365/litinfinite.3.1.2021.39-48

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Revamping Shakespeare: Filmic Adaptation of Romeo and Juliet into Goliyon ki Rasleela Ram-Leela

Kumar Neenu

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Abstract: Sanjay Leela Bhansali gives a regional flavour to Shakespeare's Romeo and Juliet by placing it in Gujarat. He looks at it from a local perspective. There are, however, many subtexts in Bhansali‟s movie: importance given to festivals, mythologizing the origina

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DOI: https://doi.org/10.47365/litinfinite.3.1.2021.49-57

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Gendered Guise: Shakespeare’s use of Transvestism and Gender Appropriation in his Plays

Sanyal Sanghita

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Abstract: Often, transvestism or cross-dressing, (that is, wearing normative, gender-designated attire of the opposite sex) is both a leitmotif and a theatrical device in William Shakespeare‟s plays. It not only serves as an integral element of a narrative/plot but it

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DOI: https://doi.org/10.47365/litinfinite.3.1.2021.58-68

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The Moor of Venice: Critically Analysing Othello Based on Race, Colour, Gender as the Social Constructor, and the Facilitator to Kill Desdemona

Chakraborty Sneha

Saha Oly

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Abstract: After World War II, Shakespearean critics often found ‗race‘ to be an incidental discourse in (c 0.1603). They were rooting for universal humanism and valour portrayed by the Moor of Venice, as their central point of evaluation. The paper would examine whethe

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DOI: https://doi.org/10.47365/litinfinite.3.1.2021.69-79

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