Abstract: The text of Euripides’ Bacchae mentions several times ritual shouts, auloí and drums. The theater play thus creates a fictitious sound universe, a fabric of auditory references that overlaps with the music actually perceived by the audience, in the contex

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Resumen: Aunque, al igual que sucede con otros héroes griegos, Hipólito no fue únicamente una figura del mito, sino también del culto, esta relación muestra importantes aspectos discordantes. Nos proponemos, en el presente artículo, puntualizar estas discordancias

Abstract: Although, like other Greek heroes, Hippolytus was not only a figure of myth, but also of cult, this relationship shows important discordant aspects. The aim of this paper is to clarify these aspects, focusing on three significant points of the tragic trea

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Abstract: The article deals with three euripidean passages (from Electra, Iphigenia among the Taurians and Helen) in which the enactment of ritual actions (such as the admission of a newborn child to the familial group, the celebration of a funerary rite, the purif

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Resumen: En Helena la pareja Helena y Menelao deben suplicar a Teónoe que no informe a su hermano Teoclímeno de la presencia de Menelao en Egipto, pero Menelao se niega a hacerlo y adopta una actitud diferente. Este rito de súplica truncado se transforma en un supu

Abstract: In Helen, the couple Helen and Menelaus pleads with Theonoe not to inform his brother Theoclymenus of the presence of Menelaus in Egypt, but Menelaus refuses to do so and adopts a different attitude. This truncated rite of supplication turns into a suppos

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Resumen: Entre las numerosas referencias que encontramos en las tragedias de Eurípides a los himeneos, intentaremos profundizar su significado literario en dos de sus obras: los himeneos recordados por las mujeres que forman el coro de Ifigenia en Táuride y los de Tro

Abstract: Among the numerous references that we find in Euripides' tragedies to the hymenaios, we will try to understand their literary meaning in two of his works: the hymenaios remembered by the women who form the choir of Iphigenia in Tauris and those of The Trojan

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Abstract: Since the beginning of the sixties of the last century, several philologists have studied the presence of significant parallels between the representation of Dionysus offered by Euripides' Bacchae and that which is at the heart of Aristophanes' Frogs, paralle

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