Abstract: Among Arab authors, a number of Egyptian writers use irony when addressing a criticism to the politics settled by the authorities. The enunciator of the text is perfectly aware that what he writes, or the speech he assigns to one of his characters, is a false

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Résumé: Cet essai adopte la perspective centrée sur les voyages, les échanges et la traduction pour étudier l‘impact international de l’œuvre d’Algirdas Julien Greimas. L’étude s’attache à mettre en évidence les facteurs clés qui ont affecté la diffusion des idées du

Abstract: This research was inspired by the anniversaries of Algirdas Julius Greimas, Juozas Tumas-Vaižgantas and Kęstutis Nastopka that encouraged rethinking the relationship with tradition, while viewing it from several perspectives: biographical-cultural links, rece

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Abstract: This article presents the semiotic analysis of Giedrė Kazlauskaitė poem Venecijietiška kaukė… The research aims to delve into the structures of the poetic world of Giedrė Kazlauskaitė, which is achieved through executing a detailed semiotic analysis of one po

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Abstract: The paper focuses on Alfonsas Nyka-Niliūnas’ poem “Vilnius 1943”, written in 1966 when the poet lived in the USA. However, the poem depicts the period of his life in Lithuania when he spent a lot of time in Vilnius. Therefore the paper raises the question of

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Abstract: The paper focuses on the issue of iconicity of (printed) literary narrative and proposes the idea of iconic reading (or iconicity of reading). It discusses Peircean notion of iconic sign, examines its use within the field of iconicity studies in language and

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Abstract: Semiotics and philosophy both claim the status of a meta-language, hence enter into a dialogue with one another and each tries to translate the other into its own language. Contemporary analysis of material culture is informed by the so-called linguistic turn

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Résumé: A partir de l’approche anthropo-sémiotique (les travaux de Morin et de Greimas), nous nous interrogeons sur les possibilités de l’analyse de la mort dans la littérature : comment écrit-on dans la perspective de la mort et comment y comprend-on l’écriture même